Watching winning streak in the nip

Taking my dignity out of the machine for inspection
I notice it has shrunk considerably in the hot wash
While from the living room Marty implores Mary to wave
At the camera to all the Mayo folk watching at home
I wave back and spin the wheel round three times
It lands on 40 degrees between the delicates
And the badly stained

By Not Paul Durcan

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Thanks to the three of you who voted in the latest poll.

Happy St. Patrick’s Day

Top 5…Poems not written by Paul Durcan (plus poll!)

It’s that time of year again! When a new blog tradition is launched that has about as much longevity as Stephen Fry swearing off Twitter for life! And where the exclamation mark is deployed rather too enthusiastically!

Welcome to the inaugural I-Can’t-Believe-It’s-Not-Paul-Durcan! When you, dear reader, are invited to commission an original Paul Durcan poem that Paul Durcan didn’t actually write!

notpauldurcan

Not Paul Durcan

Vote early, and vote often! The winning composition will be published on the Feast of the Blessed Patrick. Begorrah.

Mary McGill: Feminism Inc.

At last. The rise of corporate ‘feminism’ gets a proper kicking. Long over due. This is a fantastic piece from Mary McGill. Bang on the button. More on Dawn Foster here http://www.huffingtonpost.co.uk/ariane-sherine/dawn-foster-interview-equ_b_9024582.html

Sarah Licentiate's avatarThe Coven

To mark International Women’s Day 2015, Sydney Opera House hosted ‘All About Women’, a day long symposium of female-focused talks. A highlight of the event was ‘How to Be a Feminist’, a panel discussion featuring, amongst others, Roxane Gay, Germaine Greer and Feminist Frequency’s Anita Sarkeesian. While outlining her vision for what it means to identify as ‘feminist’, Sarkeesian noted, “I realise this isn’t a popular thing to say but… feel good personal empowerment is not ‘how to be a feminist’. In order to be a feminist, we have a responsibility beyond ourselves. We have a responsibility to each other and we have a responsibility to work for the collective liberation of all women.”

Sarkeesian’s words replayed in my mind this week as I read Lean Out by journalist Dawn Foster. As its title suggests, Lean Out takes a sobering, critical look at Lean In, Sheryl Sandberg’s 2013 book…

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You couldn’t make it up

I don’t wear make-up, except on the rare occasion such as a wedding including – to the relief of one friend – my own. Professionals are enlisted to trowel me up as I self-sedate with small-talk in preparation for the unveiling of results in the mirror. The reactions are usually consistent: a sharp attack of reflux followed by the assurance of a job expertly done before narrowly avoiding several car collisions as I sneak glances at the stranger in the rear-view on the way home. Once there, I am free to gratefully acknowledge the recoiling of my two housemates as confirmation of my aging drag queen status with an eye-roll.

The reasons for going it plain have less to do with wilful rebelliousness than laziness, and a proven lack of skill in the area of application. Early experimentation produced a look consistent with stereotypical domestic violence injuries; this lack of knack gradually overtaken by a penchant for wide earrings and high hair. Henna became my armour, and I still feel naked without my lobes covered up. Chunky shoes remain the only reliable foundation for keeping my thoughts upright; to the extent my boots were wrestled off me on my wedding day.

Mostly, it just never occurred to me to wear make-up, in the same way it didn’t occur to me to try on a sustainable career, or open a savings account. Or take up drinking wine. Maybe it was because I was the only girl in a household unaccustomed to the power of powder. Maybe it might’ve been different had I moved in more glamorous circles. Maybe it’s just the way it was. Nothing of note propelling me along, reasonably comfortable in the skin I’m in that has seen considerably more gravity-defying days.

Which is why I study my army of sisters-in-law now as intently as my own complexion looking back at me accusingly, engraved by life. The impressively smooth contours of their liquid eye-liner competes with a lack of self-consciousness for my envy. Their ease of application and chatter of cost comparisons leaving me somewhat at sea half-filled with envy and fully with fear. Unable to navigate across the moat surrounding my comfort zone to the camaraderie and empowerment that make-up yields. A chink in the armour of many women I’m uncertain is worth auditioning for a place in my own at this stage. An uncertainty now attacking the assumed durability of my life-long shields and signatures.

Maybe I’ll get a handle on eye-liner. Maybe I won’t get round to trying. Maybe I’m just re-adjusting to the next phase of aging and taking stock of my lack of any. Just as the ambassadors of make-up are beautifully poised on the pages of supplements, cheerfully reconciled to the penetrative value of their product. A conviction that has them vociferously challenging the dismissal of women’s love of make-up as trivial nonsense at variance with ‘serious’ matters. This is patently not the case, idiots.

The recent proliferation of articles by Laura Kennedy and others is an admirable and necessary defence of women’s armour. Few could take umbrage with the defence of make-up in the context of it being seized upon as evidence of its use being at odds with intellectual activities and other worthy endeavours. Which I assume include parallel parking and speedy recognition of TV theme tunes. I haven’t heard non-users of make-up make any counter-claims.

Which is why Tanya Sweeney should have known better than to misrepresent Jenny Beavan and Emma Donoghue’s casual approach to award-ceremony glamour as self-regarding acts of rebellion against scrubbing up. Neither woman claimed conventional dressing up was beneath them. Surely, like every other woman, they should be free to lean on whatever armour gets them through without unnecessary correlation to where they might fit in the intellectual firmament, or an appearance in the dissection of the justification of sartorial choices of other women attending. Neither group require approval from the other. Everything else is lazy stereotyping we’re all apparently against.

A woman

I know a woman in her mid-30s concentrating hard on reconciling herself to a future without children. In forfeiting the path more trodden, she directs her energies to the endless possibilities available through travel. She is relieved at the prospect of entering worlds unknown; of infinite corners up ahead. She never wants to stop turning into them, they are all she has ever known.

I know another woman who spent the bulk of her child-bearing years trying not to get pregnant. She craves a child as the final curtain is lowered on her fertility; uncertain who the victor will be – chance, or the clutch of luck.

I know one woman who finds herself with an unwanted pregnancy. In choosing a termination, she rationalises the biological status of twin blue lines in the context of her body and soul. She also reasons that it is the end of a potential dream in another place and time. She perceives it as the end of potential life. Of something. Of conception. She says she would do it again but thinks the question daft. The present cannot be re-written.

I know a woman who struggles against the odds to cling on to potential life that threatens to slip away along with two blue lines a few short weeks after they first appeared. Hope began before conception. Biological truths mean nothing to her in the context of her body and soul. Of what could be one week; of what might not be the next. The lines disappear the following week.

I know a young woman standing on the precipice of the grown-up world.  She is looking down trying to locate her potential place within it. She casually predicts the number of children she will likely have once she gets the hang of it. Her audience is her best friend who is just as fond of inhabiting the role of clairvoyant to herself.

I know a woman with a young child who points to the luggage under her eyes reminding her of her advanced maternal years. Too advanced to chance a punt on luck for another.

I am all of these women.

Since they’ve been gone

Scuttling through the door famished from swimming finding me pretty much where they left me. Folded in three on the sofa with legs under knees peeping out from beneath the paper lowered in surprise at their return. So soon. Already?

What they don’t know is since they’ve been gone, I have given air-guitar career defining performances. Scaled the dizzy heights of lip-syncing precision. Had all the dolls and teddies eating out of the palm of my hand. Oh yeah, baby. In a drab housing estate in the North of Ireland where beige is the new rock ‘n’ roll, boundaries of domesticity have been pushed to the outer limits with a bog standard sweeping brush. Stand aside Tinkerbell, there’s a new diva in town.

Family members fixed me with framed smiles as I navigated abandoned Lego like a swirling dervish reaching crescendos along with a feverish Patti Smith. Tinkerbell toppled over in ecstasy from almost knocking herself out with head-spinning punk pirouettes to New Order’s Ceremony. She’s no match for me.

“I know who I am, I’m not who you think I am.”

I’m rock

I’m roll

I’m in Dexy’s giving it Northern Soul

Stopping briefly in Japan…

Looking for angels with David Byrne

I’m Polly Jean Queen

Free for another fifteen

Mere minutes till they’re back

And I would’ve gotten away with it if it wasn’t for the pesky volume button left at top tonsil to scare the bejaysus us out of all.

Warning: The news was not made to be played loud.

tinkerbell

 lightweight