She unfastens grave-stoned tinsel tracing frames.
Silver: Like the anniversary celebrated within.
Green: What she was on her wedding day in hindsight.
Green: What she feels if she thinks about it long enough.
Red: The colour of two delicate unlit candles
held in by a girdle of tape slowly limbo dancing
the air on the mantlepiece; Having swaggered in upright
in 19 and 61 when presented as a gift for their first Christmas
from her Mother who, for the last two weeks has been adorned
with plastic holly in the hallway without her consent.
It doesn’t match the pillbox tilted in the same direction
as the eyes made at her new husband sitting comfortably below her.
Cherry-picking the tree, off with glittered globes from Sainsburys.
2 for £1.50 in the January sale of 2014.
Sainsburys being the one shop that do those bulbs for the lights
hanging over paintings in the only gallery she has ever curated.
The harbour at Port-na-Blagh from the main road, on the bend,
pre-planning blight, pre-life insight.
A concentration of boxes lining the valley of Glenties;
recognisable only to the discerning eye. And at that,
incapable of revealing his true origins to her
no matter how intense her gaze lingering on it.
An elegant woman, overdressed to be wandering a meadow alone,
before ending up in the living room on account of the flowers
she sniffs matching the carpet perfectly.
Upwards towards preserved artifacts of her children’s childhood:
Chain-gangs of looped paper rings, misshapen stars,
the clear glass bear from Dublin. Or was it Derry?
Tiers of nearly tears until she reaches the inscrutable angel
presiding somewhat judgmentally over her domestic domain.
Refusing to look down over unabashed nakedness at eyes
coming up for her in the hope they’ll both see the next.